Short Stories
by erotica author Jeremy Edwards
[See also the Spark My Moment collection.]
Birthday Blues includes “Bathing Minerva.”
e-Xcite (2010).
The flash piece “Croissandwich” was published at Every Night Erotica in 2010.
“A Day with Audrey” was published in Foreplay magazine in 2010.
“Tire Stud” was published at Every Night Erotica in 2010.
“Hi, Mitch. I’m Ruth. Do you mind if I feel your tread?”
He smiled. “Why not? After all, I don’t have any biceps to speak of.”
He bent an elbow and offered me a forearm. I ran my finger, with slow ecstasy, along one of the sensuous grooves. The soft, squishy sound of my fingertip dragging along the rubber seemed thunderous in my ears, and I could swear I felt his skin warming through the rubber, beneath my touch.
A Little Bit of Luxury includes “Half-Measures.”
e-Xcite (2010).
I never did learn exactly why Millicent showed up at my place with no pants on at 1:30 in the morning. I had a general idea, of course, of the type of evening out that might have resulted in this scenario. But I still don’t know any of the specific details.
Blame It on the Champagne includes “Open-Bottle Policy.”
e-Xcite (2010).
While the car ascended with a soothing whir, Becky broke the silence. “I don’t know if this was strictly necessary, according to the open-bottle rules. But I am going on break ... and I can do whatever I like on my break.” She stepped closer to me. “Whatever I like,” she repeated. And she reached forward and tapped my chest, ever so briefly.
Coupling (ed. Sommer Marsden) includes “Drinking Her under the Table.”
eXcessica (2010), ISBN-13 978-1609823818.
It only works because I know her so well—her face, her memories, her emotions and thought patterns.
“If We Were ...” was published at The Erotic Woman in 2010.
She continued. “I think the difference between how I feel about sexy women and how I feel about sexy men is sort of like the difference between how I feel about painting versus sculpture. Paintings are my whole world. I eat, drink, and breathe them, I’m thinking about them all the time, and I practically live in the landscape gallery of the museum at school. If I could, I’d crawl into a painting at night instead of a bed. Whereas sculpture—hey, I like fine sculpture. Nice stuff, keep up the good work. But I wouldn’t put one in my house or anything.”
Victoria Learns the Art of Pleasure includes “Impressionism.”
e-Xcite (2010).
She had to know. She could not work at this desk all day, in the middle of a busy city, and not be aware of when her panties were or were not visible to the casual observer. This really mattered to me. Because, if it were an accident, it would not be polite to let my gaze linger there, or return there between paintings. If, however, it was intentional—as I supposed—then I owed it to both of us to make the most of it.
“The Secret to Perfect Fondue” was published at Every Night Erotica in 2010.
When he had invited her over for, as he put it, “an evening of fondue and sex,” she hadn’t realized the two were to be enjoyed concurrently. But as soon as he’d set the fondue things out, he’d invited her to remove her tights and panties. And when he chose a position on the floor rather than occupying the seat across the table from her, she’d begun to get the idea.
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Copyright © 2005–2011 Jeremy Edwards.
